ShotANVIL: Smooth Skin Only (Tutorial)

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Hi, I'm going to show you the smooth skid only

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template in call shut Anvil. So just place that on the clip,

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open the editor.

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Okay, I'm just gonna zoom in so that I can see the results.

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Check the hand here to move

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and then I can use this checkbox here to toggle the result

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on and off. So you can see what that's doing. Now it is moving.

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What it fix is skin and as you can see,

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it's protecting the details in the eyes and the hair and

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not actually uh, doing anything to those. So

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the controls are down here. If you increase the strength,

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you'll get a much more waxy look that perhaps

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looks a bit artificial. Some people like that. Uh,

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we'll go back down to around seven. Now,

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spatial range is to do with how this moving, uh,

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breaks up the area into similar colors.

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So if we increase that,

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you'll get a more postered look where it's actually, uh,

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finding areas of similar color and it's moving them.

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And again, like see to have that on and off,

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Usually you would want that back down around seven. Again,

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seems to give good results.

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And the quality here is to do with, uh,

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the algorithm that is detecting what it thinks is a person and what it thinks is

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skin. So most of the time you can just leave that. A balanced

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hue range is, as you can see, determining skin colors.

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Um, it actually works for both light and dark skin. Generally,

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you would never change fat unless you're doing something very specific.

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Now you can also then, uh,

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use the other tools like masks and brushes to

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enhance the result. If, uh,

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you wanna bring some areas back or smooth some areas that aren't being smoothed.

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Okay, so if we wanted to do that,

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just add a new layer here, add new layer.

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And if I wanted to, uh, remove this movie from an area,

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I could use this one here. Reveal source brush here,

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which is basically painting back to the original background clip over the top of

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the smooth skid layer. Uh,

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adjust for brush size as I want. And then

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when you paint, you'll see that's bringing back the stuff that was smooth.

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So I can turn off or off this layer here and you can see

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I was able to paint back the detail from the original skin or if you wanna do it

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the other way,

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if you wanna do it the other way and smooth an area that isn't being smoothed

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now, then I could draw a mask here

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And then apply

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smooth here. Okay.

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And what that is doing now is applying the same smooth algorithm

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that is on the skin but inside the mask.

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Now also, let's turn that off and go back to the brush stroke here.

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This could be tracked. Uh, tracking menu is here.

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So you can use the tracking model perspective

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and apply track as perspective. Yes, go ahead.

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Right? So that is tracking the stroke,

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that's bringing back the,

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the detail that was that I painted back.

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Or you could also track the shape instead. And it's just the same thing.

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If you needed a different track on the shape and the brush,

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then they have to be in separate layers.

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So then I would just go make another layer,

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move the polygon shape up here, move the smooth up here,

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turn it back on, and then hit the track button here.

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And that would then track separately to

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the brush stroke that's in the layer below one track per layer,

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just to remember that. Um, and that is the skin smooth

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template in Coremelt. Shut Anvil.